Kailangan marunong kang magbisaya para ma-enjoy mo ito!
Eto po lyrics...
I'm yours (Binisaya) Jason Mraz (Marlon Bellita)
nakit-an tika nag dagan sa kalsada gi gukod ikaw sa imong asawa nag wara-wara og atsa pwerteng haitaaa ... naglibug ko og unsang hitabua busa mi duol ko og nangutana nasakspan diay ka, nga may querida
chorus :
patay ka manoy maputlan ka sa imong tumoy ... hoy ! tumoy ba sa tingkoy imong ulo ang ma pusoy busa manoy dagan basin unya kag maputlan ... hoy ! maputlan ba sa imong dunggan kon ikaw ma abtaaan ...
nagsusi ko og nganong nasakspan ka na mat-an ka diay sa imong asawa dihang nangamang ka apan pwerteng sipyataaa ... kay sa kwarto ka unta sa imong katabang ang iya mang lola ang imong nakamang mi tikang-kang og mi singgit og kuwang ... hoy !
chorus :
patay ka manoy maputlan ka sa imong tumoy ... hoy ! tumoy ba sa tingkoy imong ulo ang ma pusoy busa manoy dagan basin unya kag maputlan ... hoy ! maputlan ba sa imong dunggan kon ikaw ma abtaaan ...
The Government Service Insurance System in cooperation with the Art Association of the Philippines is inviting Filipino artists to join the 2009 GSIS Painting Competition. This year’s competition has an open theme. The artist is encouraged to explore his best in presenting and conceptualizing his artwork entry. It is through this competition that we hope to view and produce diverse interpretations of what’s inside an artist’s mind.
Please read all the mechanics, rules and regulations carefully. The GSIS shall be strict in the implementation of the guidelines set. Entries could be disqualified for technical reasons.
1. Official entry forms are available in all GSIS offices (Headquarters, Regional Offices and Satellite Offices) and Art Association of the Philippines Office (AAP), c/o Kanlungan Ng Sining, Rizal Park, Manila, starting February 16, 2009 or clickhere.
CATEGORIES & ENTRY REQUIREMENTS
2. There will be two (2) categories for this year’s competition:
II. Non-representational (abstract) i.e. purely non-representational, no-recognizable figures and objects.
3. The competition is open to all Filipino artists age 18 years old (by April 25, 2009) and above. Participants can submit one entry per category. Therefore, participant can submit one entry for representational and one entry for non-representational. There is no participation fee.
4. The theme is open.
5. Required size is 3 feet x 4 feet (horizontal or vertical excluding frame) with 10 kilos allowable maximum weight (including frame).
6. All entries must be ready for hanging (museum-wrap or box-type is allowed).
7. The medium acceptable is only oil on canvas, acrylic on canvas or watercolor. Entries using collage, decoupage, assemblage or use of non-pigment based materials like paper, board, plastic metal, etc. IS NOT allowed. The entry must hang on a wall to qualify. Appropriate support, and/or equivalent devices should be provided to ensure the proper hanging of the artwork (ready for hanging). [ For watercolor entries, any watercolor paper is allowed EXCEPT Illustration Board]
8. The entry must be dated not earlier than 2009, must be his/her original work, and must not have been exhibited before nor revised nor awarded a prize in another contest.
9. The entry MUST BE SIGNED but must be covered with masking tape prior to submission (to conceal artist’s identity). It must also be properly labeled at the back, indicating: Artist (Name, Address, and Contact Numbers) Title of the work, Medium, Size, Year and Price.
SUBMISSION REQUIREMENTS
10. All participants must be responsible for their entries. GSIS shall not undertake any pick-up or transportation of any artwork to or from any point of origin. WET PAINTINGS WILL NOT BE ACCEPTED.
11. Entry must be submitted at the GSIS Museum located at the GSIS Main Office, Financial Center, Reclamation Area, Pasay City (CCP Complex – Diosdado. Macapagal Ave) on APRIL 25, 2009 (SATURDAY) FROM 8:00 AM UNTIL 4:00 PM only.
12. Entry submitted before or after the stated date and time shall not be accepted. Mail forwarders coming from the provinces should be advised by the participants themselves that the entry will only be accepted on the said submission date. Participants from the provinces are also encouraged to group together so that bringing or shipping their entries to Pasay City will be cheaper.
13. During the submission, the entry must have the following:
A] Completely filled-up and signed official entry form with one (1) 1 x 1 ID colored picture.
B] Photocopy of ONE valid ID (for age verification). The only acceptable IDs include: Current School ID, PRC License, Driver’s License, Official Company ID, copy of Passport, Postal ID, SSS ID, GSIS-E-card, Senior Citizen’s ID, Voter’s ID, NBI/Police Clearance, AAP Membership ID. C] 5” x 7” colored photo of the work with the following information written at the back: Artist (Name, Address, and Contact Numbers) Title of the work, Medium, Size, Year and Price.
D] Notarized affidavit of the ENTRY FORM certifying originality of entry and subscription to the rules and regulations of the competition.
JUDGING, PRIZES AND AWARDING DATE
14. Announcement and awarding of winners will be on June 4, 2009 (Thursday) at 6:00 pm at the GSIS Theater, Pasay City.
15. Cash Awards for the winners shall be:
I. Representational 1st Prize - P 300,000.00 2nd Prize - 200,000.00 3rd Prize - 100,000.00 Five (5) Honorable Mention - P 50,000 each
II. Non-Representational (Abstract) 1st Prize - P 300,000.00 2nd Prize - 200,000.00 3rd Prize - 100,000.00 Five (5) Honorable Mention - P 50,000 each
ALL PRIZES ARE SUBJECT TO 20% TAX PER GOVERNMENT RULING.
16. All Prize Winning entries including Honorable Mentions, will automatically become properties of the GSIS and will be included in the GSIS Art Collection.
17. Judges may decide not to award prizes if the entries do not meet certain artistic and competition requirements. All decisions of the board of judges SHALL BE FINAL.
OTHER PROVISIONS
18. The GSIS Museum reserves the right to use the name and photo of the artist and his/her entry for free in any broadcast, or print medium. The artist also grants GSIS the right to exhibit the entries as deemed fit. DUE TO LIMITED SPACE, NOT ALL ENTRIES WILL BE EXHIBITED. The GSIS reserves the right to decide which of the entries will be displayed during the competition exhibition. Likewise, the GSIS reserves the right to decide which of the entries will be included in the Catalogue of Entries.
19. During the exhibition proper, all none winning entries will be offered for sale to the general public subject to a 20% commission for the Art Association of the Philippines to support their programs and projects.
20. All possible care will be taken for the entries submitted. However, THE GSIS MUSEUM ASSUMES NO RESPONSIBILITY FOR ANY LOSS OR DAMAGE TO THE ENTRIES BEFORE, DURING AND/OR AFTER THE COMPETITION.
21. ALL NONE WINNING ENTRIES MUST BE RETRIEVED BY THE PARTICIPANTS OR THEIR DESIGNATED REPRESENTATIVES STARTING JULY 1 UNTIL AUGUST 15, 2009 ONLY. UNCLAIMED ARTWORKS AFTER THIS DATE WILL BE DISPOSED BY THE GSIS MUSEUM ACCORDINGLY.
22. Officers of Art Association of the Philippines (AAP) are not allowed to participate in the said competition.
Ipinakikilala ko po ang bago kong katauhan o persona....
LINGKOD-SAYAW po!
Ito po ang bago kong persona ngayon...mula po kasi ng matuto ako ng pangniloloob na sayaw o inner dancing, naging iba na ang takbo ng buhay ko. So, ito po ýung side ng pagkatao ko na medyo kakaiba (well, parati naman akong kakaiba)...
...kakaiba po na medyo seryoso, o may kinalaman sa usaping paranormal!
Ito po ang napili kong pangalan, kasi...LINGKOD tagalog na salita para sa serbisyo o kawang-gawa (service), kaso sa Bisaya naman, UPO (sit) ang ibig sabihin nito, pero mas panindigan ko sa serbisyo, tapos, SAYAW, kasi po ng inner dance.
So, dito po sa blog na ito, (http://lingkod-sayaw.blogspot.com) isusulat ang mga mga karanasan ko sa aspetong ito, sana mabisita nyo po.
SALAMAT po!
Isang mapagpalayang pangniloloob na sayaw sa lahat!
Kilala mo ba si Chocoman o Mr. Choco Lovah ng Axe?
Gusto mo bang maging katulad niya?
Malapit sa mga babae...well, ewan ko lang sa mga bading....
Okay 'yung mga patalastas o commercial nila eh, 'buti hindi tinitira ng mga feminist...pero anyways...
May bagong pakulo o pa-contest ang Axe!
Isang Photocontest!
Trip to Las Vegas ang prize! Whohooo! Viva Las Vegas!
Kaso pakulo para sa mga kalalakihan lang...pero, huwag mangamba mga kababaihan (mga tunay at nagpapanggap), pwede namang collaborative effort, ibig sabihin, pwedeng MAGKAISA ang lahat!
...teka parang biglang naging makabayan ah...
Kaya kumuha na ng camera, isang lalake at sandamakmak na mga babae!
Paganahin ang utak at maging creative!
Ipakita sa picture ang tema ng pakulo: gawing kaakit-akit at katakam-takam ang lalake na parang isang TSOKOLATEH!
...i-click nyo na lang ang picture para sa mga detalye...
Sa kasalukuyan, abala sa pagguhit at innerdance, siyempre, hindi na 'to mawawala sa buhay ko! At as usual, kakaiba parati! Hindi pa ring sumasablay na pahangain ako....
Tapos, hinahanap ko rin 'yung ibang musika na gusto kong pakinggan na nahihirapan akong hanapin dahil hindi ko alam ang titulo! Pero, laking tuwa ko dahil nahanap ko na rin sa wakas! Matagal ko na ring pinagtanong sa mga kaibigan at kakilala, kaso mahirap, 'buti na lang may "YOUTUBE"! Nagkaroon nga ako ng lead sa paghahanap isang beses, 'kala ko nga ang grupong "SPYRO GYRA" ang tumugtog, pero hindi pala, si CHUCK MANGIONE pala!
Pakinggan nyo ito...
Chuck Mangione performs "Feel So Good", on Burt Sugarmans Midnight Special 1978
Tapos, ito naman ang nagugustuhang pakinggan ko ngayon...
...isang lumang kanta ng grupong "The Police", ang "King of Pain".
King of Pain The Police
There's a little black spot on the sun today It's the same old thing as yesterday There's a black hat caught in a high tree top There's a flag-pole rag and the wind won't stop
I have stood here before inside the pouring rain With the world turning circles running 'round my brain I guess I'm always hoping that you'll end this reign But it's my destiny to be the king of pain
There's a little black spot on the sun today (That`s my soul up there) It's the same old thing as yesterday (That`s my soul up there) There's a black hat caught in a high tree top (That`s my soul up there) There's a flag-pole rag and the wind won't stop (That`s my soul up there)
I have stood here before inside the pouring rain With the world turning circles running 'round my brain I guess I'm always hoping that you'll end this reign But it's my destiny to be the king of pain
There's a fossil that's trapped in a high cliff wall (That`s my soul up there) There's a dead salmon frozen in a waterfall (That`s my soul up there) There's a blue whale beached by a spring tide's ebb (That`s my soul up there) There's a butterfly trapped in a spider's web (That`s my soul up there)
I have stood here before inside the pouring rain With the world turning circles running 'round my brain I guess I'm always hoping that you'll end this reign But it's my destiny to be the king of pain
There's a king on a throne with his eyes torn out There's a blind man looking for a shadow of doubt There's a rich man sleeping on a golden bed There's a skeleton choking on a crust of bread
King of pain
There's a red fox torn by a huntsman's pack There's a black-winged gull with a broken back There's a little black spot on the sun today It's the same old thing as yesterday
I have stood here before inside the pouring rain With the world turning circles running 'round my brain I guess I'm always hoping that you'll end this reign But it's my destiny to be the king of pain
King of pain I'll always be king of pain I'll always be king of pain.
...na nagkaroon ng bago at magandang redisyon ni Alanis Morisette.
...'buti pa sila, magaling gumawa ng remake ng mga kanta, ika nga eh justifiable o may respeto sa kanta, 'di tulad dito sa atin, medyo twisted o masakit sa pandinig...halimbawa? Tribute album ng APO.
Ooops, ito pa pala!
May naka-schedule na muli na pagtitipon ng mga KOMIKERO! Sana maraming makapunta!
here we are still together we are one so much time wasted playing games with love
so many tears i've cried so much pain inside but baby it ain't over 'til it's over so many years we've tried to keep our love alive but baby it ain't over 'till it's over
how many times did we give up but we always worked things out and all my doubts and fear kept me wondering if i'd always be in love
so many tears i've cried so much pain inside but baby it ain't over 'til it's over
so many years we've tried and kept our love alive but baby it ain't over 'till it's over
so many tears i've cried so much pain inside but baby it ain't over 'til it's over
so many years we've tried and kept our love alive but baby it ain't over 'till it's over
Ewan ko ba, eto ang gusto kong pakinggan ngayon...
Gimme Gimme Gimme ABBA
Half past twelve And I'm watching the late show in my flat all alone How I hate to spend the evening on my own Autumn winds Blowing outside my window as I look around the room And it makes me so depressed to see the gloom There's not a soul out there No one to hear my prayer
Gimme gimme gimme a man after midnight Won't somebody help me chase the shadows away Gimme gimme gimme a man after midnight Take me through the darkness to the break of the day
Movie stars Find the end of the rainbow, with a fortune to win It's so different from the world I'm living in Tired of T.V. I open the window and I gaze into the night But there's nothing there to see, no one in sight There's not a soul out there No one to hear my prayer
Gimme gimme gimme a man after midnight Won't somebody help me chase the shadows away Gimme gimme gimme a man after midnight Take me through the darkness to the break of the day
Gimme gimme gimme a man after midnight... Gimme gimme gimme a man after midnight...
There's not a soul out there No one to hear my prayer
Gimme gimme gimme a man after midnight Won't somebody help me chase the shadows away Gimme gimme gimme a man after midnight Take me through the darkness to the break of the day Gimme gimme gimme a man after midnight Won't somebody help me chase the shadows away Gimme gimme gimme a man after midnight Take me through the darkness to the break of the day
...siguro dahil parati kong pinapakinggan 'yung "Hung up" ni Madonna....
Hung Up Madonna
ime goes by... so slowly Time goes by... so slowly Time goes by... so slowly Time goes by... so slowly Time goes by... so slowly Time goes by... so slowly
Every little thing that you say or do I'm hung up I'm hung up on you Waiting for your call baby night and day I'm fed up I'm tired of waiting on you
Time goes by so slowly for those who wait No time to hesitate Those who run seem to have all the fun I'm caught up I don't know what to do
Time goes by so slowly Time goes by so slowly Time goes by so slowly I don't know what to do
Every little thing that you say or do I'm hung up I'm hung up on you Waiting for your call baby night and day I'm fed up I'm tired of waiting on you
Every little thing that you say or do I'm hung up I'm hung up on you Waiting for your call baby night and day I'm fed up I'm tired of waiting on you
Ring, ring, ring goes the telephone The lights are on but there's no-one home Tick tick tock it's a quarter to two And I'm done I'm hangin' up on you
I can't keep on waiting for you I know that you're still hesitating Don't cry for me 'cause I'll find my way You'll wake up one day But it'll be too late
Every little thing that you say or do I'm hung up I'm hung up on you Waiting for your call baby night and day I'm fed up I'm tired of waiting on you
Every little thing that you say or do I'm hung up I'm hung up on you Waiting for your call baby night and day I'm fed up I'm tired of waiting on you
Every little thing (Every little thing) I'm hung up I'm hung up on you
Waiting for your call (Waiting for your call) I'm fed up I'm tired of waiting on you
(instrumental)
Time goes by... so slowly Time goes by... so slowly Time goes by... so slowly Time goes by-
So slowly, so slowly, so slowly, So slowly, so slowly, so slowly, So slowly, so slowly, so slowly, So slowly, so slowly, so slowly, So slowly, so slowly, so-
I don't know what to do
Every little thing that you say or do I'm hung up I'm hung up on you Waiting for your call baby night and day I'm fed up I'm tired of waiting on you
Every little thing that you say or do I'm hung up I'm hung up on you Waiting for your call baby night and day I'm fed up I'm tired of waiting on you
Every little thing (Every little thing) I'm hung up I'm hung up on you
Waiting for your call (Waiting for your call) I'm fed up I'm tired of waiting on you
Ang on-line diary ng pakikipagsapalaran sa buhay ng isang taong medyo kakaiba, o kalimitang taliwas sa normal na taga-Luzon, na nagkaroon ng pagkakataon na mapapunta at manirahan ng maikli, ngunit makabuluhang panahon sa bagong daigdig at lupang pinagpala na kapuluan ng Mindanao...at ngayo'y muli na namang napabalik sa Luzon, para sa mga panibagong pagkakataon o oportunidad, at ipamahagi o ibalita sa lahat ang likas na kagandahan ng buhay.
Sa kasalukuyang buhay na ito, ayon sa may akda, ay hindi kailanman makakalimutan ang kapuluang Mindanao!
Para sa madaliang pagkuha sa atensyon ng may akda (naks naman!), eto ang address ng sulat na pang-dagitab: johnny_danganan@yahoo.com at para naman sa gustong mapudpod ang daliri sa pagpindot ng mga letra sa selulang telepono: (0927) 531-1680!
